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TELLING STORIES
THROUGH MUSIC & SOUND
SINCE 2016

2025

DAYTIME DEEWANE / Composer & Sound Designer

Riverside National Theatre of Parramatta (Dir. Sepy Baghaei)

 

IPHIGENIA IN SPLOTT / Composer & Sound Designer

New Ghosts Theatre Company (Dir. Lucy Clements)

IF/WHEN / Composer & Sound Designer

ARACOURT Studio (Dir. Courtney Westbrook)

2023

THE TURN OF THE SCREW / Composer & Sound Designer

Tooth & Sinew (Dir. Richard Hilliar)

2021

WIL & GRACE / Composer & Sound Designer

Rogue Projects (Dir. Erica Lovell)

MARY / Composer

Miss The Mark Productions (Dir. Aaron Lucas)

WE'LL DANCE ON THE ASH OF THE APOCALYPSE / Composer & Sound Designer

On The Wing Theatre Co. (Dir. Julia Billington)

 

HOT MESS / Composer & Sound Designer 

The General Public (Dir. Tasha O'Brien)

 

THE LINDEN SOLUTION / Composer & Sound Designer 

Ratcatch Theatre (Dir. Camilla Turnbull)

 

 BONDIFEST PROMO AD / Composer & Sound Designer 

Waverley Council (Dir. Rachel Chant & Phil Spencer)

 

LIGHTS IN THE PARK / Composer & Sound Designer 

ATYP & Q Theatre (Dir. Lucy Clements)

 

DEAD SKIN / Composer & Sound Designer 

White Box Theatre (Dir. Kim Hardwick)

WHAT WILL THE FATHER THINK / Composer

Independent Film (Dir. Alan Fang)

 

JALI  / Composer & Sound Designer 

Aya Productions & Griffin (Dir. Erin Taylor)

 

JUXTA / Composer 

Juxta Studio (Dir. Felix Cross & Katrina Douglas)

2019

INTERSECTION 2019: ARRIVAL / Composer & Sound Designer

ATYP (Dir. Sophie Kelly)

2017

OEDIPUS DOESN'T LIVE HERE ANYMORE / Composer

ATYP (Dir. Fraser Corfield)

 

MOTH / Composer

Millstone Productions & ATYP (Dir. Rachel Chant)

 

PROCESSION / Composer

UNSW (Choreographer - Raghav Handa)

2024

PICKLED / Composer & Sound Designer

PYT Fairfield (Dir. Hayden Tonazzi)

2022

 

PEARLY GATES / Composer

Miss The Mark Productions (Dir. Meg Clarke)

ME & HER(PES) /Composer

Chips & Gravy Films (Dir. Vic Zerbst)

 

SHACK / Mentor Sound Designer

ATYP (Dir. Hayden Tonazzi)

 

THE FAIRYTALE OF MY LIFE / Composer & Sound Designer 

180 Collective (Dir. Bryce Bofinger)

TOM AT THE FARM / Composer & Sound Designer 

Fixed Foot Productions (Dir. Danny Ball)

I WANTED YOU TO KNOW / Composer

Wavelength Films (Dir. Michael McLennan)

BURN WITCH BURN / Composer & Sound Designer

FERVOUR. (Dir. Claudia Osborne)

LILAC / Composer & Sound Designer

sandpaperplane (Dir. Shane Anthony)

 

BEFORE THE MEETING / Composer

White Box Theatre (Dir. Kim Hardwick)

 

TELL ME BEFORE THE SUN EXPLODES / Composer & Sound Designer

Rock Bottom Productions (Dir. Hayden Tonazzi)

WELCOME TO THE GALAXY / Composer

Independent Film (Dir. Suz Mawer)

JUXTA / Composer 

Juxta Studio (Dir. Felix Cross & Katrina Douglas) 

2020

MY BRILLIANT CAREER / Composer

Belvoir (Dir. Kate Champion)

 

IPHIGENIA IN SPLOTT / Composer & Sound Designer 

New Ghosts Theatre Company (Dir Lucy Clements)

 

CNUT / Composer & Sound Designer

ARACOURT Studio (Dir. Courtney Westbrook)

 

BARNACLE FACE / Composer

AFTRS (Dir. Jean-David Le Goullon)

Juxta Studio (Dir. Felix Cross & Katrina Douglas)

2018

YEN / Composer & Sound Designer

New Ghosts Theatre Company (Dir. Lucy Clements) 

 

IMPENDING EVERYONE / Composer & Sound Designer

Australian Theatre for Young People (Dir. Fraser Corfield)

2016

FIGHT WITH ALL YOUR MIGHT THE ZOMBIES OF TONIGHT / Composer 

ATYP (Dir. Robert Jago)

"Adding energy, drama and poignancy to the performance was the soundscape. From Bhangra fused dance music to soft evocative orchestral waves the score was developed by award-winning Chrysoulla Maroulli, Composer and Sound Designer, supported by Deepa Alam as Music Consultant." 
Carolyn Neumann / Sydney Arts Guide (Daytime Deewane, 2025)
" Our Daytimer tracklist, by Chrysoulla Markoulli, is electric. If you're a punter with that special strain of raver blood, it might be hard to sit still."
~ Kate Prendergast / Sydney Morning Herald (Daytime Deewane, 2025)
"Composer and Sound Designer Chrysoulla Markoulli’s perfectly pitched soundscape elevates the mood and energy in every scene.The thumping Bhangra-electro fusion lifts, hones, and punctuates the tone, and is so infectious that I’m sure more than a few in the audience felt the urge to join in. A subtle, ethereal underscore also enhances some truly beautiful soliloquies."
~ Faith Jessel / Faith in Theatres (Daytime Deewane, 2025)

CHRYSOULLA COMPOSER © 2025

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